Anna Nuzha & Marie Macleod
Marie Macleod and Anna Nuzha performed as a cello duo in Nacka, captivating the audience with their artistry and synergy. The concert featured a range of works that highlighted their technical prowess and musical sensitivity. They were joined by accomplished pianists, adding depth and richness to the performance.
Friedrich August Kummer:
3 Cello Duets for Two Cellos, Op.22 #1
Allegro (1rd Movement)
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Andantino (2rd Movement)
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Allegro scherzoso (3rd Movement)
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This duet, part of Kummer’s Op. 22 cycle, showcases lyrical melodies and intricate interplay between two equal cello voices. It highlights the instrument’s expressive range, blending elegance and technical brilliance in a charming dialogue.
Anna Nuzha and Marie Macleod deliver a stunning interpretation, marked by seamless synergy, emotional depth, and crystal-clear sound. Their performance brings Kummer’s music to life, radiating warmth and grace while capturing the duet’s refined beauty.
Cello Suite No.2 in D minor,
BWV 1008: I. Prelude & IV. Sarabande
& Hanna Havrylets: «Sotto voce»
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Johann Sebastian Bach: Cello Suite No. 2 in D minor, BWV 1008 – Prelude & Sarabande
This iconic suite showcases Bach’s mastery of solo cello writing. The Prelude is introspective and flowing, exploring the cello’s full resonance with its rich, arpeggiated textures. The Sarabande, in contrast, is meditative and deeply expressive, with its sparse, lyrical lines conveying profound emotional depth.
Hanna Havrylets: “Sotto Voce”
This contemporary piece by Ukrainian composer Hanna Havrylets creates an intimate, delicate sound world. “Sotto Voce” reflects subtle emotional nuances, weaving soft, whispering tones with moments of introspection and lyrical beauty, offering a modern counterpart to the classical tradition. The work was written in memory of O. Tyshchenko.
Sergei Bortkewicz (1877-1952).
Pieces for cello & piano op.25
№1 — Romance, №3 — Valse
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This enchanting work by Sergei Bortkiewicz combines lush Romantic melodies with a touch of elegance and nostalgia. The Romance is tender and lyrical, evoking deep emotional intimacy, while the Valse sparkles with graceful charm and sophisticated rhythms.
In the hands of Anna Nuzha and Inna Dovbnya, the music comes alive with heartfelt expression and masterful artistry. Their seamless interplay and nuanced interpretation beautifully capture the essence of Bortkiewicz’s Romantic spirit, making their performance both moving and captivating.
Jacques Offenbach: Duos for 2 Cellos, Op.52 №3
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This delightful duo by Jacques Offenbach, a virtuoso cellist himself, showcases both technical brilliance and playful charm. The piece flows through contrasting sections, from the lively Tempo di marcia to expressive variations, a heartfelt Adagio, and the elegant Movement de Valse, creating a dynamic musical conversation.
Marie Macleod and Anna Nuzha bring this work to life with remarkable synergy and precision. Their performance is vibrant and engaging, capturing Offenbach’s wit, lyricism, and sparkling energy with impeccable technique and deep musicality.
Marie Macleod, principal cellist of the Royal Stockholm Philharmonic Orchestra since 2013, is an acclaimed British musician with a distinguished career. She has performed as a soloist with leading ensembles such as the London Symphony Orchestra and the Ulster Orchestra and has presented major works, including Elgar’s and MacMillan’s cello concertos, with the Royal Stockholm Philharmonic. A regular performer in Konserthuset’s chamber series, she also shines as a member of the Lendvai String Trio and Aronowitz Ensemble, appearing at prestigious venues like Wigmore Hall and the BBC Proms. Playing a Matteo Goffriller cello from 1706, Macleod combines technical mastery with profound artistry, earning recognition on top recording labels and stages worldwide. Click to learn more about Marie..
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